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Camera Tips
Our camera is placed on a platform made of scraps of wood, tongue depressors, and duct tape. We do this to hold the camera still and flat above the clay figure. The background is taped to the table to keep it from moving. Three spotlights illuminate the character. This is because the flash of our camera is too bright. A different camera might not need the spots.
It works best to have ONE camera person and let the other members of the group act as animators and stage hands. The person touching the camera should not touch the clay. Everyone needs to stand back so the table will not wiggle and shadows will not ruin the shot.
If the figure is tall, it is placed it under the camera sideways. If the figure is not tall it is placed under the camera right-side-up. The idea is to fill the rectangle format of the view screen with the clay figure. The zoom lens (T for tight and W for wide) is used to compose the image.
The animators should be careful to move only the parts of the figure that should move. It helps to hold the figure down with one hand and move the parts that need to move with the other.
In 2001/2002 the Art Room got a new digital camera. We loved the Sony Mavica, but the model we were using had such a bright flash that it had to be turned off, and I was never quite happy with the colors we were getting using the spot lights.
An Olympus D-370 fit our budget and we are quite happy with it. However, the zoom feature was digital, not optical, which does not produce as nice of results. I looked around the Art Room, and noticed some plastic boxes that I had been using to hold books. Since they were a sort of basket weave, the slats used as our platform could be easily raised or lowered. One box is taped tightly to the table, and the other is not. We do have to be extra careful when taking our images so we don’t bump or lean on the set-up, which would cause our animations to jiggle. However, since our table is low enough for the students to reach it has worked out very well!
An Olympus D-370 fit our budget and we are quite happy with it. However, the zoom feature was digital, not optical, which does not produce as nice of results.
I looked around the Art Room, and noticed some plastic boxes that I had been using to hold books. Since they were a sort of basket weave, the slats used as our platform could be easily raised or lowered. One box is taped tightly to the table, and the other is not. We do have to be extra careful when taking our images so we don’t bump or lean on the set-up, which would cause our animations to jiggle. However, since our table is low enough for the students to reach it has worked out very well!
Camera in "High"position.
Slats moved so camera will be closer to subject.
I also had to redo the boards, Styrofoam bits, tongue depressors, and duct tape to hold our camera still, since the new camera is a different shape from the Mavica. I simply started with the two long slats, set the camera on them, and then added material around the camera body to keep it still. I liked the Styrofoam, because it is soft yet sturdy.
Since we have the camera quite close to our subjects, we use the macro setting. It is depicted as a little tulip on most cameras. I like the Olympus because it has a large button for this feature, so we don’t forget!
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