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四个黏土动画

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发表于 2004-3-5 22:36:56 | 显示全部楼层 |阅读模式
 楼主| 发表于 2004-3-5 22:46:10 | 显示全部楼层
发表于 2004-3-5 23:23:53 | 显示全部楼层
这个网址还有逗号....?? boo2sm.gif (8443 bytes) Camera Tips boards.jpg (15660 bytes)campoint.jpg (12906 bytes) Our camera is placed on a platform made of scraps of wood, tongue depressors, and duct tape. We do this to hold the camera still and flat above the clay figure. The background is taped to the table to keep it from moving. Three spotlights illuminate the character. This is because the flash of our camera is too bright. A different camera might not need the spots.

It works best to have ONE camera person and let the other members of the group act as animators and stage hands. The person touching the camera should not touch the clay. Everyone needs to stand back so the table will not wiggle and shadows will not ruin the shot. cookicam.jpg (45451 bytes) camera2.jpg (26330 bytes) If the figure is tall, it is placed it under the camera sideways. If the figure is not tall it is placed under the camera right-side-up. The idea is to fill the rectangle format of the view screen with the clay figure. The zoom lens (T for tight and W for wide) is used to compose the image.

The animators should be careful to move only the parts of the figure that should move. It helps to hold the figure down with one hand and move the parts that need to move with the other.

In 2001/2002 the Art Room got a new digital camera. We loved the Sony Mavica, but the model we were using had such a bright flash that it had to be turned off, and I was never quite happy with the colors we were getting using the spot lights.

long1602.jpg (58998 bytes)

An Olympus D-370 fit our budget and we are quite happy with it. However, the zoom feature was digital, not optical, which does not produce as nice of results. I looked around the Art Room, and noticed some plastic boxes that I had been using to hold books. Since they were a sort of basket weave, the slats used as our platform could be easily raised or lowered. One box is taped tightly to the table, and the other is not. We do have to be extra careful when taking our images so we don’t bump or lean on the set-up, which would cause our animations to jiggle. However, since our table is low enough for the students to reach it has worked out very well!
long1602.jpg (58998 bytes)

An Olympus D-370 fit our budget and we are quite happy with it. However, the zoom feature was digital, not optical, which does not produce as nice of results. I looked around the Art Room, and noticed some plastic boxes that I had been using to hold books. Since they were a sort of basket weave, the slats used as our platform could be easily raised or lowered. One box is taped tightly to the table, and the other is not. We do have to be extra careful when taking our images so we don’t bump or lean on the set-up, which would cause our animations to jiggle. However, since our table is low enough for the students to reach it has worked out very well!

high1602.jpg (36389 bytes)

Camera in "High"position.

lowr1602.jpg (34831 bytes)

Slats moved so camera will be closer to subject.
duct1602.jpg (26250 bytes) duct21602.jpg (44317 bytes) side1602.jpg (32390 bytes)
I also had to redo the boards, Styrofoam bits, tongue depressors, and duct tape to hold our camera still, since the new camera is a different shape from the Mavica. I simply started with the two long slats, set the camera on them, and then added material around the camera body to keep it still. I liked the Styrofoam, because it is soft yet sturdy.
front1602.jpg (39711 bytes)


Since we have the camera quite close to our subjects, we use the macro setting. It is depicted as a little tulip on most cameras. I like the Olympus because it has a large button for this feature, so we don’t forget!

发表于 2004-3-5 23:31:11 | 显示全部楼层
genbstsm.gif (12013 bytes)Clay Tips strteye.jpg (7526 bytes) mideye.jpg (3821 bytes) stkeye.jpg (4990 bytes) The modeling clay may be a bit stiff at first, so knead it with your hands to soften it. Think of the basic forms that make up the figure. Sometimes it is easier to roll balls or coils and then flatten them into the forms. Combine the forms and smooth the seams with a craft stick or modeling tool. Notice that a bead is used for the black part of the eye. Bits of Styrofoam (see the teeth below) or anything you can think of can be used. eysmths.jpg (11547 bytes) If parts of the character will move, it may be easier to make two or more clay pieces of that part, as shown above, for a winking eye and moving mouth g5.jpg (3833 bytes) g4.jpg (3691 bytes) g3.jpg (3578 bytes) g2.jpg (3361 bytes) In some cases it works better to plan to shoot the scene backwards. brk1.jpg (5689 bytes) brk2.jpg (7410 bytes) Be careful to keep the background simple. To see why, look at the examples above. drag1.jpg (6656 bytes) drg2.jpg (6405 bytes)
And don't use background at all unless it is really needed for the action. The sun in the example above did not add to the action and without it, the dragon could fill the space and be much larger.
发表于 2004-3-6 08:47:27 | 显示全部楼层
多谢老大栽培
发表于 2004-3-6 19:55:29 | 显示全部楼层
应该学习啊!!!
发表于 2004-3-19 01:36:18 | 显示全部楼层
这这~~相机的摄像头没有也可以拍摄吗??
发表于 2004-3-19 09:54:39 | 显示全部楼层
以下是引用三眼皮的鱼在2004-3-19 1:36:18的发言:
这这~~相机的摄像头没有也可以拍摄吗??

什么意思阿??
发表于 2004-3-19 15:49:46 | 显示全部楼层
没有镜头肯定不行!你想问什么?


       


这里的分解够详细了!
发表于 2004-3-19 19:04:39 | 显示全部楼层
我没问清,是我的错~~~~


我说的是哦,镜头啦~~~对不起~~~昨晚太激动了~~~问错了哈~~~
发表于 2004-3-19 20:31:00 | 显示全部楼层
有镜头阿......只不过它的镜头很短
发表于 2004-3-19 20:54:37 | 显示全部楼层
对哟,但安珂说不好~~~


我还特地买了镜头长长的,不美观~~~5555
发表于 2004-3-19 21:05:13 | 显示全部楼层
镜头长点好啊,han老师没错哦


为什么你们叫hanhui安珂?
发表于 2004-3-19 21:45:21 | 显示全部楼层
亲切~~~~UNCLE~~~懂了吧~~~
发表于 2004-3-19 22:06:39 | 显示全部楼层
他.....还年轻阿
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